Saturday, February 28, 2015

[NEW SERIES] HAL BATES AND ROUBEN MAMOULIAN


Roupen Zachary Mamoulian (pronunciation perhaps roo-BEN mah-mool-YAHN) (October 8, 1897 – December 4, 1987) was an Armenian-American film and theatre director.

He directed his first feature film in 1929, Applause, which was one of the earliest talkies. It was a landmark film owing to Mamoulian's innovative use of camera movement and sound, and these qualities were carried through to his other films released in the 1930s. Dr. Jekyll and Mr. Hyde (1931) benefits from having been made before the Production Code came into full force, and is regularly considered the best version of Robert Louis Stevenson's tale. Queen Christina (1933) was the last film Greta Garbo made with John Gilbert. The musical film Love Me Tonight was released in 1932.
He directed the first three-strip Technicolor film, Becky Sharp (1935), based on Thackeray's Vanity Fair, as well as the 1937 musical High, Wide, and Handsome. His next two films earned him wide admiration, The Mark of Zorro (1940) and Blood and Sand (1941), both remakes of silent films. Blood and Sand, on bull fighting, was filmed in Technicolor, and used color schemes based on the work of Spanish artists such as Diego Velázquez and El Greco. His foray into screwball comedy genre in 1942 was a success with Rings on Her Fingers starring Henry Fonda and Gene Tierney.
His last completed musical film was MGM's 1957 film version of the Cole Porter musical Silk Stockings. This had been one of Porter's less successful stage musicals and was based on the 1939 Greta Garbo classic Ninotchka. The film Silk Stockings starred Fred Astaire and Cyd Charisse, with Janis Paige and Peter Lorre in support (with Lorre singing in the film).

Mamoulian's film directing career came to an end when he was fired from two consecutive films, Porgy and Bess (1959) and Cleopatra (1963). He had previously been fired as director of Laura (1944). After directing the highly successful original stage productions of Oklahoma! and Carousel, he worked on only a few other theatrical productions, such as St. Louis Woman, which introduced Pearl Bailey to Broadway audiences.

He was personally recruited by Directors Guild of America (DGA) co-founder King Vidor in 1936 to help unionize fellow movie directors. Mamoulian's lifelong allegiance to the DGA, and more so his general unwillingness to compromise, contributed to his being targeted in Hollywood blacklisting of the 1950s.



He died in 1987 of natural causes at the age of 90 in Woodland Hills, California. His wife Azadia died in 1999 at the age of 97.