Hal Bates (Born Harold Simon Joseph Braitman, 26 Aug 1929-14 Jan 2008) was an active member of the entertainment media in Los Angeles for many years. At various times he was an editor and writer for publications including the Hollywood Reporter, Daily News, National Enquirer, Hollywood Now, and others. He was also president of the Hollywood Press Club. [See more Intro on this blog's First Page/John Wayne: http://halbates.blogspot.com/2013/11/introduction-hal-bates-and-john-wayne.html]
Monday, March 2, 2015
[NEW SERIES] HAL BATES AND DOROTHY MCGUIRE
Date and location unknown. Possibly Disneyland or Pacific Ocean Park.
Dorothy Hackett McGuire (June 14, 1916 – September 13, 2001) was an American actress.
Born in Omaha, Nebraska, the only child of Thomas and Isabelle (née Trapp) McGuire, she began her acting career on the stage at the Omaha Community Playhouse. Eventually, she reached Broadway, first appearing as an understudy to Martha Scott in Our Town, and subsequently starring in the domestic comedy, Claudia.
Brought to Hollywood by producer David O. Selznick on the strength of her stage performance, McGuire starred in her first film, a movie adaptation of her Broadway success, Claudia, and portrayed the character of a child bride who almost destroys her marriage through her selfishness. Her inaugural screen performance was popular with both the public and critics alike and was the catalyst for not only a sequel, Claudia and David (both movies co-starring Robert Young), but also for numerous other film roles.
By 1945, at the age of 29, she was already playing mother roles, in such movies as A Tree Grows In Brooklyn. She was nominated for the Academy Award for Best Actress in 1947 for Gentleman's Agreement. Other notable films include Till the End of Time, The Enchanted Cottage, A Summer Place, Three Coins in the Fountain, Friendly Persuasion, Old Yeller, Swiss Family Robinson, The Greatest Story Ever Told, and The Dark at the Top of the Stairs.
McGuire had a long Hollywood career. Her versatility served her well in taut melodramas, such as The Spiral Staircase and Make Haste to Live, as well as in light, frothy comedies, such as Mother Didn't Tell Me and Mister 880.
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